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JOHNNY HART
1931-2007

“Johnny was one of the smartest and funniest persons I’ve ever known, he was generally regarded as one of the best cartoonists we’ve ever had, he was totally original. ‘B.C.’ broke ground and led the way for a number of imitators, none of which ever came close.”
-Mell Lazarus, creator of the “Momma” and “Miss Peach” comic strips
JOHNNY HART DIES...Newspaper comic strip cartoonist Johnny Hart recently completed treatment for non-Hodgkin's lymphoma but died at his drawing table after a stroke at his home in Nineveh, New York on Saturday April 7th, 2007. According to his wife: “He died at his storyboard.” Hart was best known as the creator of the award-winning joke-a-day comic strip “B.C. and was also the co-creator of the daily strip “Wizard of Id” which he co-created with Brant Parker and has been distributed since November 9, 1964.

Hart was raised in a casually religious family, but he attended Christian Sunday School regularly and was fascinated by the Bible from a young age. His formal education ended with his graduation from Union-Endicott High School. While there he met Brant Parker, a young cartoonist who became an influence and later co-creator with Hart of the “Wizard of Id” comic strip. After graduation Hart enlisted in the Air Force and began producing cartoons for the Pacific version of Stars and Stripes while he served in Korea. During a military assignment that took him to Georgia, he met and married Bobby. The couple lived on a small Georgia farm, where the artist sold his first free-lance cartoon to the Saturday Evening Post after his discharge in 1954. He took a position in the art department at General Electric while continuing to sell free lance cartoons to magazines such as Colliers and True. During his two years at G.E. Hart began reading "Peanuts" by Charles Schulz. Schulz's work inspired him to attempt a comic strip of his own.

Hart's “B.C.” (which referenced the age "Before Christ" and also is the name of Hart's naive cave-dwelling protagonist) began national daily newspapers appearances on February 17, 1958. The strip was populated by prehistoric cavemen, ants, dinosaurs, turtles, clams, etc. and it eventually appeared in over 1,300 newspapers, with an audience of 100 million, according to its distributor Creators Syndicate Inc. The strip’s freewheeling humor, hip sensibilities and observational commentary quickly put “B.C.” on a level with other comic strips like "Peanuts" during the 1960’s. However Hart’s hip cavemen began to be looked on as tame as pop culture became edgier over the ongoing years.

In 1977 there was a marked awakening in Hart's spirituality, which he attributed to a conversation with a father-son team of contractors who installed a satellite dish at his home. He and his wife began attending  the Presbyterian Church in Nineveh, New York and ever since Hart increasingly incorporated Christian themes and ideals into both his strips. Some newspapers refused to print any of his strips with overtly religious themes or, as with the Los Angeles Times, relegated them to the religious section of the newspaper.

Besides his wife, Mr. Hart is survived by two daughters, Patti and Perri. Like may comic strips "B.C." and "Wizard of Id" will live on past the death of it's creator. Family members have helped Hart with the strips for years, and they have a large computer archive of Hart's drawings from which to access and the strip will continue for the foreseeable future.

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JOHNNY HART'S CAREER HIGHLIGHTS

AWARDS:
NATIONAL CARTOONISTS SOCIETY:
-Best Humor Strip in America for B.C. (1967)
-Animation Award (1973)
-Newspaper Comic Strip Award for B.C. (1989)

RUBEN AWARD:
-Cartoonist of the Year, for B.C. and The Wizard of Id (1968)

INTERNATIONAL CONGRESS OF COMICS:
-The Yellow Kid Award (1970)

SWEDISH MUSEUM OF COMIC ART:
-Adamson Award (1975)

NASA public service award for outstanding contributions (1972)

Seger Award, King Features (1981)
CONTROVERSY:
Some of Hart’s religious themed “B.C.” strips led to controversy. A strip published on Easter Sunday in 2001 depicted a lit menorah gradually burning down until it transformed into a cross. This drew protests from some Jewish groups and led several newspapers to drop the strip. Critics of the strip said it implied that Christianity superseded Judaism, however Hart maintained he intended the cartoon as a tribute to both faiths.

Muslims were enraged by another "B.C." strip that ran on November 10, 2003 during the holy month of Ramadan. It featured an outhouse with multiple crescents - a symbol associated with Islam - and showed a cave man saying from inside the makeshift bathroom, "Is it just me, or does it stink in here?" Critics claimed that the combination of the vertical bar and the "SLAM" visual effect, as well as the crescent moons both in the sky and on the outhouse, made the strip a slur on Islam. Hart denied that it was anything but an "outhouse joke" a recurrent location for gag set- ups through out the history of the strip.
CREATOR'S SYNDICATE:
Hart helped establish Creators Syndicate (founded by Richard Newcombe in Los Angeles) by being the first cartoonist to sign on when the syndicate was created 20 years ago. By joining it during the syndicate's early days and supporting the company's stance that creative rights belonged with the creators, Hart helped to make the Syndicate a viable success.
A PERSONAL NOTE
I grew up reading B.C. in the Sun Times. The Times was always in the house and the realization that new comics were in there everyday was what first drew me to stick my nose into the smelly newsprint. B.C. was at the top of the funnies page and so it always got my attention first (quickly followed by Nancy) and it's appearance everyday was somehow very reassuring back in the 60's. Even though the strip was about cartoon cavemen I knew there was something very "adult" about the situational humor the characters would find themselves in everyday. I "got" what Hart was saying about social relationships and group dynamics everyday in the strip even though at that time I had no clue as to what those terms meant and my understanding was rudimentary. B.C., Mad Magazine and Rowan & Martin's Laugh In all helped me to understand the world of humor was larger and more expansive than Bozo or the Flying Nun. All three traded in satire, parody and social commentary concerning events of the day.

As the years went by I "grew out of" all three of these influences however because B.C. was in the Times everyday I would take the time to occasionally read it. When I became an adult and began to appreciate comics as an art form I picked up some of the paperback collections of Hart's B.C. Like "Peanuts" and many other daily strips I appreciated how Harts characters took on a personality of their own with just a few simple line strokes. I also began to realize his pre-historic world was populated with a "pantheon" of characters who all had unique personalities and each served an important role in the strips social dynamic.  

I did some quick math when I heard of Hart's death, B.C. has been in existence for 49 years (a year longer than me!). At a rate of 6 strips per week that means there have been over 15.000 daily black and white adventures of B.C. since the strip first debuted in February 1958. Assuming color Sunday strips ran for the same length of time that would mean there are somewhere in the neighborhood of 2,500 produced. That's a lot of material based on a handful of cavemen &  women, an ant hill, a turtle with an albatrosses on it's back, walking clams ("CLAMS GOT LEGS!") various dinosaur's and a group of other supporting characters.

It is always pointed out that Star Trek got away with telling the stories it did, when it did because it was Science Fiction. The setting made the message go down smoother. Hart never tackled any "great issues" with B.C. but the human commentary he did make in every strip went down smoother because it was done with a bunch of humorous cave people who acted more like us than actual Neanderthals. It's message was greater than the sum of it's parts. Putting the B.C. universe together, making it spin over 17,000 times, and having an idea in every strip was the true genius behind Johnny Hart. 

OBITUARIES

People no longer with us but whose lives we've taken note of...

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