SUPERMAN MAN OF TOMORROW
(***Ĺ)
"...a very solid, charming little film in its own right."

Man of Tomorrow Relevant for Today

(091220) With Justice League: Apokolips War, the longstanding New 52 continuity that has kept DCís animated films running in place came to a welcome end. And thatís both good and bad news for the latest entry in the catalog, Superman: Man of Tomorrow, which arrives as both a palate cleanser but also a suggestion of things to come. Now is as exciting a time for DC and Warner Bros. Animation as there has ever been, and this film, a return to the early days of Clark Kentís crime-fighting career, is as pointedly not a start of a new shared universe as it is a very solid, charming little film in its own right.

Its secret weapon is getting Superman just right, understanding that the key enduring aspect of his personality is the fact heís a giant dork, crippled by indecision about whatís best for his loved ones, Metropolis, and the wider world in general. Darren Criss is doing the voice now and takes a while to get used to, but he does a fine job of letting Clarkís predicament quiver in his tone; he can and does take charge when he needs to, but most of the time heís turning to Martha (the ageless Bellamy Young) and Jonathan (Neil Flynn) Kent for help, advice, and a fancy costume.

That costume, hewn out of the fabric Clark was swaddled in for his journey from Krypton, is explicitly a rip-off of that Batman guyís outfit Martha keeps seeing in the papers. Itís those kinds of charming little details that feel about right for Supes, a late arrival to both Earth and the superhero game who recognizes that his own powers come with a certain responsibility but canít quite figure out who that responsibility is to. He has little time to ponder, though, since a go-getter Lois Lane (Alexandra Daddario), fresh from very publicly taking down Lex Luthor (Zachary Quinto), plans to write a tell-all exposť on the so-called Superman just as Lobo (Ryan Hurst) arrives on the hunt for the last Kryptonian along with a placid, informative Martian Manhunter (Ike Amadi).

Directed by Chris Palmer and written by Tim Sheridan, Superman: Man of Tomorrow knows exactly which beats to hit, and does a respectable job of delving into Clarkís interiority. This isnít an ďoriginĒ in the sense of covering Clark coming to Earth and being raised by the Kents; we get snippets of that but mostly fast-forward through it to a more crucial turning point, with Clark having dabbled with saving the day but finally realizing he has to decide once and for all whether or not heís going to commit to it. We know he will, but that deliberation process is relatively ripe territory for DCís animated line, which tends to favor a Superman at the height of his powers or slightly off the rails.

The best Superman origins always reflect the times its set in and that is perfectly on display here. Much attention is drawn to the fact that Superman and other aliens like him are unknown variables with possibly questionable motives, but more than that are just not human. A big theme of the film is humanityís fear of the unknown and the generalizations that can be made on what is different with Clark looking for ways to rise above them. While Martian Manhunter is extremely hesitant to humanityís tolerance or Lois thinks Superman is looking for some angle for himself, Clark always prefers to see the positives to humanity. Itís a big part of his character that is examined throughout the film and ends up becoming one of the best iterations of Superman in animated form.

The animation, which is smooth and vibrant, a far cry from the muddy look and self-serious tone and weird collars of the New 52 aesthetic, feels designed in part to prove a point about these films veering off in a new direction now. As has been incorrectly reported and subsequently corrected all over the place, Superman: Man of Tomorrow isnít the beginning of a shared universe in the way that 2014ís
Justice League War was, but instead a standalone offering that might have elements taken forwards into subsequent releases. For current purposes, that hardly matters. Palmer has delivered a Superman tale that understands and appreciates the characterís nerdy essence and pure values; a look at the Man of Steelís whirring inner workings. For now, thatíll do nicely.
 

Directed by:    Chris Palmer
Written by:   Screenplay by: Tim Sheridan
Starring the Voices Of:    Darren Criss, Zachary Quinto, Ike Amadi
Released:    082320
Length:    91 minutes
Rating:    Rated PG-13

SUPERMAN MAN OF TOMORROW ©  2020 Warner Bros. Animation
Review © 2020 Alternate Reality, Inc.