Godzilla is one of the most successful film franchises ever. The main character
(the Japanese version of his name, Kojira means gorilla whale) has appeared in
over 35 films and even an animated TV series.
The irradiated dinosaur character is also one of the most identifiable ever
Japanese exports. There is even a great South Park episode in which they
introduce a mechanical Godzilla version of Barbara Streisand titled Mecha
Streisand. One of the greatest Japanese directors, Akira Kurasawa himself wanted
to make a Godzilla film, but he sadly died before he got the chance.
That is not the say that all of the actual films are masterpieces. The first
uncut Japanese film titled Godzilla (1954) is mandatory viewing for all serious
sci fi/monster movie fans. Godzilla vs the Thing (1964) which was called Mothra
vs Godzilla in Japan as well as the excellent remake, Godzilla vs Mothra (1992)
are also solid, respectable efforts. There were also great scenes in Destroy All
Monsters (1969), and the recent Shin Godzilla (2016). I also loved the hilarious
kung fu using lion creature, King Caesar in Godzilla vs. Mecha Godzilla (1974)
which might have inspired Fin Fang Foomís use of martial arts in Marvel comics.
Even the worst and most laughable films in the series like Son of Godzilla
(1968), Godzilla vs. King Kong (1963), and Godzilla vs the Smog Monster (1972)
work well as camp or as childrenís films.
The rest are hit and miss, but many of them have a goofy charm which is sadly
missing in the new ultra serious take on the character with its heavy handed
save the world from overpopulation message.
The movie starts out ok with the introductions and reintroductions of the
monsters (they are called titans here like the old Greek beings), but it never
really takes off. Obviously the film makers spent much more energy and
creativity on the marketing than making the actual film.
Godzilla: King of the Monsters is neither a very good film nor is it an
unmitigated disaster like the embarrassingly bad 1998 American Godzilla (Roland
Emmerich should be very ashamed.)
The by the numbers direction and ho hum screenplay are by Michael Dougherty, who
did a much better job on the latest film titled Godzilla (2018), but this film
is superior to his lackluster holiday horror film, Krampus. The problem is that
the script of The Godzilla King of the Monsters has a stitched together feel to
it, and there are no really surprising plot twists or elements. Iíve seen it all
The film amounts to a compilation of highlights and scenes from previous often
better films. A monster dying to give Godzilla its energy was previously used in
Godzilla vs. Mechagodzilla 2 (1993). The scene of Rodan emerging from a volcano
was recycled from Rodan the Flying Monster (1959). A doctor sacrificing his life
to kill a monster comes from the original Godzilla (1954), and the scene sort of
happens again with a different character later in the film.
The outline of the plot closely resembles the original Ghidorah the Three Headed
Monster (1965) and the quasi remake, Monster Zero (1966). As a tribute to the
earlier film, Ghidrah the Three Headed Monster is even referred to as Monster
Zero. We meet several monsters, and in the beginning we donít know who is for or
against mankind. Eventually the good monsters team up against the bad one or
ones. Unfortunately, the film denies us the pleasure of seeing all the monsters
together teaming up against Ghidorah (which should have been the big payoff for
the whole film), and both Mothra (the giant moth/caterpillar associated with
femininity) and Rodan (a pterodan with a fiery body) are mostly squandered. The
film only has one great Mothra scene in which the insect comes out of its cocoon
like a shiny goddess. Her appearance is accompanied by a celestial/heavenly
sounding choir. But if Mothra is queen of the monsters as a character suggests
then why doesnít she get to do anything except escape captivity? Also, where are
the magical twin fairies? You canít have a good Mothra storyline without the
The film has a decent enough cast but they cannot elevate the paper thin
characterization. Kyle Chandler (from Early Edition and Home Front) was the
co-inventor of a device that helps communicate with the monsters. He hates the
Titans because he thinks Godzilla was responsible for his sonís death, and his
subsequent alcoholism and his divorce.
His ex-wife played by Vera Farmiga is a brilliant scientist/extreme
environmental activist who is kidnapped by eco-terrorists (or so it seems) who
want to force her to unleash the Titans to trim down the human population.
The filmís depiction of the troubled ex coupleís relationship is not that much
more sophisticated than the character dynamics in Sharknado (which at least
succeeds as good trash.)
The other largely forgettable characters are played by Sally (Shape of Water)
Hawkins, Ken (Letters
From Iwo Jima) Watanabe, and Zhang (Crouching Tiger Hidden
Dragon) Ziyi. It is kind of unfortunate that even in a Godzilla film, the Asian
characters have to be reduced to stereotypical scientist roles.
I did get a kick out of the filmís use of the original Godzillaís heroic battle
theme, and it was great to actually hear a version of Blue Oyster Cultís
Godzilla song (although it is a techno cover by System of A Down member, Seri
Tankian) .Also the underwhelming ending does fulfill the truth in the title of
the movie surprisingly well.
But if the original Godzilla creature is a symbol for a destructive nuclear
America, this whole film can be seem as the ultimate embodiment of cheap
American cultural appropriation and /or the United States cutting down all other
cultures like wheat.
I am not saying that you should avoid this film if you are a hard core Kaiju
fan, but for the casual viewer, there are many, many better choices available.
But you might want to rent it or hit a bargain showing. That is what I did.
Screenplay by Michael Dougherty & Zach Shields, from
by Max Borenstein, Dougherty & Shields. Based on the
characters created by Toho Studios.
Kyle Chandler, Vera Farmiga, Millie Bobby Brown
Rated PG-13 for sequences of monster action
destruction, and for some language
For more writings by Vittorio Carli go to
plus look for his recent book Tape Worm Salad with Olive Oil for Extra Flavor
Come see his next poetry show at the Art Colony on Saturday, June 8 from 5-7,
2019 at 2630 W. Fletcher. Just southeast of Belmont/Elston/ California.
GODZILLA KING OF THE MONSTERS © 2019
Warner Brothers Pictures
Review © 2019 Alternate Reality, Inc.