(030907)
In “Zodiac,” Jake Gyllenhaal stars as Robert Graysmith, a former political
cartoonist for the San Francisco Chronicle who becomes obsessed with finding the
serial killer who taunted police and terrorized the Bay Area in the early 1970s.
Although it was directed by David Fincher—the man behind “Seven"—this new movie
has more in common with Gyllenhaal’s most recent film “Jarhead,”
where Gulf War soldiers prepared for war for 2 hours and then saw no real
action. Similarly, “Zodiac” is 154 minutes of a mounting police investigation
with no resolution.
What Fincher succeeds in doing, though, is achieving a remarkably creepy tone
throughout. “Zodiac,” based on two books written by Graysmith, follows no less
than four investigators over decades of excruciating disappointment and
infatuation. Rather than mining drama from sudden revelations and tense moments
like a more traditional thriller, Fincher’s newest is a slow burn. It is at once
a police procedural and an epic look at the ruined lives of the men who hunted
the Zodiac killer down until they reached a breaking point.
The cultural touchstones are all there. After a vintage Paramount Pictures
logo—a nice touch—the movie opens during Fourth of July celebrations in Vallejo,
California. Fireworks are shot off in the streets. The jubilation is ironically
undercut by a song from the joyous hippie musical “Hair,” whose lyric “How can
people be so heartless?” turns ominous given this new context. A correlative
treatment is also given to Donovan’s “Hurdy Gurdy Man,” which becomes a theme of
sorts for the Zodiac, who preys on young couples. Additionally, although
Fincher’s film is shot digitally, he employs muted colors and lighting that
recalls the movies of the 1970s.
While the period look of “Zodiac” is meticulously drawn, the story itself is
also a product of its time. A lack of cooperation between law agencies plagues
inspectors David Toschi (Mark Ruffalo) and William Armstrong (Anthony Edwards).
For audiences used to the advanced technology and camera trickery on “CSI,”
their methods will seem archaic and the movie a little old-fashioned. Those
difficulties are nothing compared to the endless stream of dead ends and wrong
turns that come with a killer who goes public, sending threatening letters and
cryptograms to the newspapers.
“Zodiac" plays more like real cop work and less like a swift-moving TV show. The
very thing that makes the movie unique is also what makes it frustrating as
hell. An hour-long episode of “Law & Order” will have a “Eureka!” moment based
on circumstantial evidence right before every commercial break. This kind of
‘instant guilt’ is easier on the audience, and it has become a convention. Every
time the detectives in “Zodiac” gain momentum, the weight of pesky issues like
the burden of proof ends up sinking their investigations.
Fincher is able to cover the personal lives of the main characters, also
including alcoholic journalist Paul Avery (Robert Downey Jr.), in shorthand.
Rather than a movie full of Gyllenhaal or Ruffalo arguing with their spouses
over how time they spend away from their families, we get an economical view of
their home life. Glimpses of the toll that their obsession has taken are all the
movie can really afford, and it is convincing enough.
The scope involved in “Zodiac” reminds me of Oliver Stone’s fascination with the
Kennedy assassination in “JFK.” Where Stone’s film is a tour de force of
bombastic editing and technical expertise, though, Fincher’s vision is a more
personal, restrained one. The long running time and constant jumping forward in
time will throw off those expecting a tidy ending, but the cumulative effect is
devastating.
The audience is like Graysmith, who says that he craves that one moment of
recognition with the killer that will assure him of his guilt. A 1978 letter
mailed to the San Francisco Chronicle, apparently from the Zodiac killer, reads
“I am waiting for a good movie about me. Who will play me?” The movie is here,
but his question remains unanswered.
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Directed by:
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David Fincher |
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Written by:
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Screenplay by Jamie Vanderbilt, Adapted from Robert Graysmith’s
novel: "Zodiac" |
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Starring:
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Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr |
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Rating:
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Rated R for some strong killings, language, drug material and brief sexual
images. |
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ZODIAC ©
2007 Warner Bros. Pictures International, Paramount Pictures.
All Rights Reserved
Review © 2023 Alternate Reality, Inc. |
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